At the top left you'll see the titles we'll be reading this season, beginning with Dante's Inferno, the first book of his Divine Comedy. Choose any edition or translation of it you like best. Of the verse translations, some attempt to imitate the sound of the Italian terza rima, others try to render the content more accurately.
There are more versions of Inferno to choose from than the other two volumes because translators who start out intending to publish all three often stop after Inferno. Several versions can be read free online, including Longfellow's translation, or listened to for free on LibriVox.org.
In January, check back here for a list of the essays by Montaigne that we'll be reading.
Wednesday, July 11, 2018
Monday, January 8, 2018
The stories we are reading for the January 18 2018 meeting
All from "William Trevor: Collected Stories":
A Meeting in Middle Age
The Ballroom of Romance
The News from Ireland
Two More Gallants
A Meeting in Middle Age
The Ballroom of Romance
The News from Ireland
Two More Gallants
Monday, August 7, 2017
History Today on "Moll Flanders"
After you've finished reading "Moll Flanders," maybe you would like to read Sian Rees' 2011 book about "Moll Flanders."
From the "History Today" review:
If you thought Daniel Defoe’s Moll Flanders was the 18th
century’s Belle de Jour then prepare to stand corrected. Most often
portrayed as a bodice-ripping wench sexing up the Georgians, of all fiction’s
heroines Defoe’s Moll has perhaps been done the greatest disservice in
dramatised adaptations. As Siân Rees’ new book reminds us, Moll was, in fact,
not really conceived as an 18th-century gal at all. Although the novel was
published in 1722, Defoe imagines his heroine putting pen to paper to recount
‘her’ tale in the late 17th century. By then she is looking back on a long life
lived among befrilled Jacobeans and penitent Puritans rather than amid the
boisterous and bewigged Hanoverians. Nor was mistress Moll that much of a
wench, or at least not in the way subsequent scriptwriters have imagined. To be
sure Defoe uses a lengthy subtitle to brand her as ‘twelve years a whore’ –
condemning Moll to an inevitably fleshy cinematic fate – yet he also adds that
she was ‘five times a wife’. It does not make for such good telly, but it was
sex and love within marriages and misfortunate affairs (not procured,
prostituted sex) that Defoe featured in Moll Flanders.
You'll find the rest of the article about it here.
Tuesday, August 23, 2016
Welcome to our 11th Season of Classics Revisited!
First up is Charles Dickens' Bleak House. From the "Charles Dickens Page," here is a map of the London locations where the events in the story take place.
Tuesday, November 17, 2015
We'll be discussing these Keats poems...
Keats' life mask, 1816 |
...during Classics Revisited on December 17, 2015
On First Looking into Chapman's Homer
The Eve of St. Agnes
La Belle Dame Sans Merci
Ode to Psyche
Ode to a Nightingale
Ode on Melancholy
Ode on a Grecian Urn
To Autumn
Bright Star
Optional letters: (1) December 21, 27, 1817, to George and
Thomas Keats, on, among other things, "Negative Capability"; (2)
October 27, 1818, To Richard Woodhouse, "A Poet Has No Identity."
Saturday, August 22, 2015
A quote just for Classics Revisited fans...
...from Andrea Barrett. Turns out she's one of us!
"Every year I try to read five or six books that I know I should have read in my twenties. There's some pleasure in reading those now, at this late date. They're fresh for me, and the experience can be dazzling. It's an amazing pleasure, it turns out, to read Paradise Lost for the first time at age thirty-eight."
Paris Review, "Art of Fiction" No. 180
"Every year I try to read five or six books that I know I should have read in my twenties. There's some pleasure in reading those now, at this late date. They're fresh for me, and the experience can be dazzling. It's an amazing pleasure, it turns out, to read Paradise Lost for the first time at age thirty-eight."
Paris Review, "Art of Fiction" No. 180
NY Post article on Robert Frost's "The Road Not Taken"

"...The poem isn't a salute to can-do individualism," he continues. "It's a commentary on the self-deception we practice when constructing the story of our own lives."
You'll find the complete article (until such time as the Post takes it down) right here:
forever/http://nypost.com/2015/08/16/the-famous-robert-frost-poem-weve-read-wrong-forever/
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